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<52
American Appetite: Tales of Dirty Young Boys & Spry Old Men, The
An Evening At Home
Anablep and Other Oddities
Back to Kroenig
Beckett's Last Dance
Beneath Sita's Belly
Black Box Confessions
Blue Sofa
Candistan
Caught Sleeping
Cleopatra!-And Antony
ClockBusters
Death Blow - The Show
Devouring Time
Engineer and The Artist, The
Enronicles
Exit Laughing!
F--king Handicapped Guy
Fred Anderson -Professional Goofball!
Full Spectrum Improvisation
George Bush's Nuts
Getting It Wrong
Guano dell' Amore - ("Birdshit of Love")
Gulag Ha Ha
Interactive Solo Performer Daniel Packard
Ken and Andy Show, The
Lillie, A Musical
Looking, Then Pointing
Mad Adventures of Chaos For Hire, The
Me Laugh You Long Time
Menopause and Desire: Or Why Must I Be Middle Aged and In Love?
Microclimates: A Crime Against Gravity or The Burrito From Sausalito
My Son, the Mummy: Episode Pi
nEO-sURREALIST sYSTEMS pRESENTS: HOE- DOWN!!!!!
Objects In Mirror (May Be Closer Than They Appear)
OUTTAKES: Monologues, Stories, and Social Commentary
Rise And Fall of The US/them Empire, The
Smashing Icons
Something You Might Want
Song in Your Blood, The
Spray
Stranger In Woodstock
Surfing Toasters
Survival of the Fit Enough/ Fern
Talking To Myself
Tangled
Uncle Jacques' Symphony
Underground Movement Theatre
Upper Canada Cougar Movement, The
Valentine's Play Time
Way Light Strikes Filled Mason Jars, The
Winterkill
Woods For The Trees
Zucchini: The Forbidden Dance!

Play: Smashing Icons
Reviewer: Jonathan
Reviewer Email:
Rating: 2 Stars
The writing has potential, yet here was a piece seriously in need of some direction. The so-called "natural" style of delivery some people have praised read to me more as a lack of energy or commitment. The story was very hard to follow, as characters seemed to blend in and out with similar vocal and physical styles. Also-FIND YOUR LIGHT!!!! Again, a cleverly written piece that, alas, falls in the trap that too many solo pieces fall into: that of sloppy-I'll-just-talk-and-ramble-on-and-on-like-a guest at a party who won't leave, without technique, or a consideration of an audience's need to hear a story TOLD well.

lay: smashing icons
Reviewer: denise dee
Reviewer Email: hiareth@hotmail.com
Rating: 4 Stars
when christina calls up her father to relay some terrible news he says "Do you want me to get out the violins?" and one minute later he's screaming his mantra "you're a survivor" at her. I could feel her conflict to keep moving on one hand, and to examine her life on the other.
She relayed material involving spirituality, over eating, body image, schizophrenia, and beauty in a way that made me laugh so the insights penetrated even deeper.

Play: Smashing Icons
Reviewer: Jennifer L.
Reviewer Email:
Rating: 4 Stars
I really thought alot about this afterward, and I am stil thinking. Clever but bliunt. Challenging and ridiculous and insecure and brave-what an astonishing and bizarre play.

Play: Smashing Icons
Reviewer: thomas carlyle
Reviewer Email: carlylet23@yahoo.com
Rating: 5 Stars
I was surprised by the intellgence of this monologue -- all the little gems if one pays attention. The acting was raw, spontaneous, and real. Many humorous moments for those who enjoy satire -- especially of certain Californian tendencies. And all from a Canadian! Well, at least that's what the 'protagonist' said. Especially loved Keith Richard's former heroin bag carrier turned worldly Buddhist and the sly references to The Odyssey. Bravo.