CLICK HERE FOR RECENT REVIEWS IN CHRONOLOGICAL ORDER CLICK ON PLAY FOR AUDIENCE REVIEWS FOR THAT PLAY
- @six
21/One
Another Ugly Duckling Tale
BabyLove
Before the End- A Boy Called Noise
cruel & unusual
Curriculum Vitae
Eating Skeletons
Exiles
Fall and Rise of the Rising Fallen
Flamenco con Fusion
Fuse
Get It? Got it. Good!
Get Laughs or Die Tryin'
Irma at the Movies & Frozen
Just For Laughs
Kingdom of Not- Neon Man and Me
- nEO sURREALIST sYSTEMS
Pomp & Circumstance
Readiness is All
Revolving Madness
sally: MIA / Sheepish
Secret Ruths of Island House
Sisyphus on Vacation
Stone Trilogy, Three Tales
Thanatics - A Rock Opera
This Lily Was (Fontana)
Thrilling Adventures of Elvis in Space
Tilting at Transformations
Visiting Bertha
Waiting for Bordeaux
Where the Sun Don't Shine
Woof, Daddy
Yellow Fever Express
Yorick & Co.
Play: Get it? Got it. Good!
Reviewer: John Rackham
Entertaining, thoughtful, well-written and well-acted. Great cast. I enjoyed every minute. Hmm. Why do I feel like a cucumber sandwich?
Play: Get It? Got it? Good!
Reviewer: D
4 Stars
Great fun. Witty, lighthearted, and playful. The three acts go by quickly,
not unlike an episode of The Office.
Play: Get it Got it Good
Reviewer:
3 Stars
Moments of brilliance amidst underdevelopment. Sam Shaw is always a hilarious
pleasure onstage. the show picked up steam at a pwerpoint presentation and
at the end I thought It ended up much better than it began. The script needs
to be focused, tightened and clarified.
Play: Get it? Got it? Good?
Reviewer: dark princess
4 Stars
A great ensemble cast in a quick witted and complex thrill ride. Fun, blasphemous
and compelling. I think I know what IT is.
Play: Get It? Got It? Good!
Reviewer: sffringer
1 Star
Oh, man. Terrible theater. Didn't I already see this type of thing in the
early 1980s? But better? Also, white man playwright says, "hey man,
I'm not sexist or nothing" from the mouthpieces of multiple characters
in a defensive strategy that can in no way cover the fact that his whore
archetype is decades dusty.
Play: Get It? Got It. Good.
Reviewer: Craig Kensek
2 Stars
Get It? Got It? Get Out!
Don’t both with this collection of three short plays. It left less of an impression than Paris Hilton’s underfed attempts at bonmots on late night talk shows. I was not moved. I did not laugh. I did not chuckle. Much of my time was spent looking at my watch. A fellow reviewer wrote that this is a “performance that makes you think.” You will be thinking, “Why did I choose this performance to attend?” It's not the fault of the performers. They just didn’t have a lot of script to work with. Pass on this puppy.
Play: Get it? Got it. Good!
Reviewer: DB
4 Stars
I greatly enjoyed this show! Dan Wilson has crafted a unique and compelling
script.
It features a talented cast and an equally talented professional musician
contributing a live score to the performance.
In my opinion one of this years must see productions!
Play: Get It? Got It? Good!
Reviewer: Ann Speyer
4 Stars
A piece to make you think! This show uses some very interesting and not-so-conventional
dramatic devices, features some lovely work from the cast, and there's a
live soundtrack.
Play: Get it Got it Good
Reviewer: John
1 Star
Did I get get it? No.
Was it worth being gotten? No.
Was it good? No.
What a waste of time.
Play: Get it, Got it, Good
Reviewer: IW
4 Stars
This is a fun piece of Fringe theatre: extremely well acted, tight, and
inventive.
Play: Get It? Got It. Good!
Reviewer: Brian
4 Stars
This production excels at making deconstruction entertaining. The performers
definitely give their all, as the play progresses from the first act elusiveness
of "it" to the third act disintegration of the play and its characters.
I attended with a vague notion of the structure and its conceit, and was
still pleasantly surprised all around. Kudos to writer/director Wilson.
Catz Forsman and Sam Shaw mine comedic gold. David Austin-Groen moves from
menace to mayhem, sometimes in the same scene. Stephanie DeMott smoulders
as Jasmine. And, Paul Jennings explodes in a second act power-point presentation
gone wrong that has to be seen to believed. Actually, one can say that about
"Get It? Got It. Good!" as well.
Play: Get it? Got it. Good.
Reviewer: Chris
4 Stars
A strange and enjoyable romp into experimental theater with stalwarts of
the small-theater scene in San Francisco. There's lots of strong acting
and clever dialog. These, along with spare live music and great costumes,
serve to anchor this piece as it spins around theatrical convention like
a dog trying to catch its own tail.
Play: Get It. Got it? Good.
Reviewer: Anthony
1 Star
The only thing I can say is that I am glad the "Theatre of the Vague"
has never made it to mass audiences. I don't know if the playwright/director
ever gave the actors an idea of what the "it" is but "it"
clearly isn't good.
The actors are definitely trying their best with non-existant material but if the playwright wishes to serve as the director in this case then he better be willing to give direction. Clearly these actors are on their own.