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  Iron Muffin,Glass Jungle II
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51 & Counting
After-party
Along the Path of Larks and Swallows
Candide, or Optimism (Part I)
Crazy Bag
Doormen
Endless Frontier
Evelyn Reese Show
Exit Sign: A Rock Opera
Exotic Messages
FLUID
i scan
Identity Crisis
If You're Going to San Francisco
In the Belly of the Whale
Iron Muffin,Glass Jungle II
It Is What It Is
Jew Must Be Crazy
Knuckleball
Last Exit
LATE NIGHTS WITH THE BOYS
Lost and Found in the Mission
Loving Fathers
Madge's Box
Marie 21 and Flying
Mitch
Monkey Poet
Moon Fable
Mr. P's Big Day Off
My Camino
My Friend Hitler
No Stranger Than Home
Number's Up!
On Second Thought
Open Season - A Queer Performance Showcase
Peg-Ass-Us
Punchline
Single Entendre VS. Comedy!
Son of Genderanium
Sonderkommando
Tale End
Taste of Enlightenment
Tenderloin Christmas Hustler
theatre that Moves
There's a Monster in the Well!
To Kill For
True Theatre Critic
Ukulady's Ponyshow!

 
The Iron Muffin/Glass Jungle 11
EXIT Stage Left
FRIDAY 5 7:00 PM
SATURDAY 6 1:00 PM
THURSDAY 11 7:00 PM
SUNDAY 14 1:00 PM

By Sha Sha Higby
Bolinas,Caliornia
A PREMIERE
60 minutes
PERFORMANCE ART
FOR CHILDREN OVER: 5
WARNING: modest nudity
TICKETS: $9 ($11 ONLINE)

CLICK TO BUY TICKETS

Legendary international performance artist, Sha Sha Higby,
whirls within a dense, lacey thicket of her own design "In a Cloud of Glass", premier of exotic sculptural costume & puppetry dance, in a delicate drama of memory and timelessness. Internationally renowned for her evocative and haunting performances, Higby is influenced by her studies in Asia, Noh Theater, Butoh, shadow puppets, and textiles "...her monumental props and costumes are...strung together with silk, wood, leaves and lace slither leisurely across you imagination." Hiya Swanhuyser, SF Weekly.. Bringing together sculptural costume, dance, and puppetry, In a Cloud of Glass explores the atmospheric world within the magical borders between death and life, and reflects Higby's recent travels to Myanmar and Thailand. Higby mines the spiritual meaning in the physical discipline required to devote up to two years developing a complex sculptural form. As stationary art objects and as moving sculpture in her performances, these forms are an invitation to a meditative space, !
where time slows down and we find ourselves quietly contemplating life's mysteries."

www.shashahigby.com