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100 Years of Sex Acts  

OTHER MEDIA 
review in the SF Bay Guardian March 8, 2006
by Robert Avila
 
Eastenders Repertory Company has made one-act fests their subspecialty, presenting ambitious programs annually under specific overarching themes. This year's topic, sex, sustains itself over three night's worth of brief but passionate work by the likes of Albee, Caryl Churchill, Lorca, and Strindberg. Series B offers another newly discovered Tennessee Williams work, And Tell Sad Stories of the Deaths of Queens..., first staged in 2004, about a cultured New Orleans transvestite (Craig Souza) and her attempts to engage the affections of a threateningly gruff, taciturn, cash-strapped sailor (Ross Pasquale), while her gay tenants upstairs (Matthew Donohue, Gene Mocsy) look down in mock wonder and some genuine concern. The piece feels a bit one-note, even incomplete, when all is said and done, but Jeff Thompson's steady direction and Souza's Candy Delaney — half relentless optimist, half dyspeptic landlady slash queen bitch — help seal our interest in this smartly composed, uncloseted Williams number. In Charles E. Polly's rare US staging of Italian playwright-activist Dacia Maraini's 1978 work, Dialogue Between a Prostitute and Her Client, Pasquale returns as a mommy-obsessed john to Sandra Weingart's politically conscious prostitute. The power play between buyer and seller strips away much of the male persona in the bargain, as Weingart interrupts the dialogue to query the audience (particularly its men) on its ideas of sex. A dated feeling to Maraini's feminist theater doesn't eliminate all interest or relevance in this piece, solidly anchored by Weingart's defiant sex worker.
 

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