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Macbeth

Cutting Ball Theatre

review by Robert Hurwitt, SF Chronicle May 2005

 

Director Rob Melrose and Cutting Ball Theater take a bold, innovative approach in a slightly cut, intriguingly rearranged, inventively staged version of Shakespeare's great tragedy that looks at the Macbeths as the parents of a dead child and downplays much of the witchcraft. There are striking moments (and too much stage fog) in the 2 1/2-hour production, but for the most part the cast of six hasn't achieved enough mastery of the verse to carry through Melrose's vision

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